But the majority of the pit revels in Lunny and Macieira’s guerrilla performance style as they shred from within the crowd, with some attendees even helping to hold Lunny’s mic cord as she climbs the balcony with an ease that’s slightly concerning, yet impressive.Īsked about her unique performance style, Lunny says it’s less about being rowdy for the sake of it, and more to build a connection with the crowd to better get their message across. Indeed, the crowd in London that night consists mostly of men - probably because Lambrinis are opening for stoner metal band Pigs Pigs Pigs Pigs Pigs Pigs Pigs (yes, that’s seven Pigs) - and some of them look like they need convincing. Rewind.”īut, Lunny concedes, “I wouldn’t want to stop anyone coming into our show, because you never know who you’re going to get through to.” It’s so counterproductive.” Macieira chimes in, “We’re satirizing them. “They were moshing to ‘Lads Lads Lads,’ and it was a lot of geezers. “I actually had a friend the other day say to me, ‘I was a bit worried, loads of people were coming into your set and they didn’t know who you were,'” Lunny says. But the Lambrinis know that they can’t control who watches their set - especially when they’re on the festival circuit. ![]() Lunny recalls a show in January where a young woman came up to her during the set and said a man had groped her, to which she responded by immediately getting him kicked out of the venue. At the same time, you want to make sure it’s accessible in order to get in front of those people who don’t want to hear you,” Lunny says over a dressing room spread of tequila, Coca-Cola and Pringles. 1, you want to make sure it’s a safe space. At least a couple of drunk males in the audience seemed to be using the unhinged setting to rub against women in the audience and basically engage in the precise kind of toxic behavior the band is criticizing. Speaking to Variety two months later before a show at the O2 Kentish Town in London, Lunny and bassist Lilly Macieira acknowledge that it’s a “weird balance” to strike. Yet how much of that messaging actually gets through the chaos, humor and clothing-removal of their concerts - this was a fairly typical Lambrini Girls show - is more unclear. But suddenly, from behind and above, come the words “‘Ello, I’m up here now!” She’s standing on top of a wooden roof that covers the soundboard at the back of the pitch, 15 feet above the crowd, with the first rays of the rising sun behind her.Ī post shared by Jem Aswad the song titles indicate, Lambrini Girls have a lot to say about sexism and gender politics in and outside of the music business. The crowd obeys: The group’s combination of chaos, commands and confrontation - not to mention Lunny’s utter fearlessness - is everything a classic punk rock show requires, and within just a few minutes the crowd has grown to more than 100 people, and then more.Īs the first song comes to a shambolic close, everyone assumes Lunny, who’d abandoned her guitar onstage, is still bumping around in the audience. The band has barely started its first song before she’s out in the rapidly growing audience, ordering them to stand up, then sit down, then stand up again while her two bandmates keep pounding away. Just a couple dozen people stand in front of the stage, drinking local beer and smoking cigarettes.Īll of a sudden, deafening feedback, drums and loud power chords burst forth from the speakers, and a guitar-brandishing blonde in a black slip - Lambrinis singer Phoebe Lunny - is yelling at the crowd, bossing them to look alive. on this chilly night on the festival’s second stage, located on the soccer pitch of a local school. Still, the Lambrinis have the seemingly thankless task of going on at 1 a.m. The Faroes are so far north that in July the sun only sets for an hour or two, and the locals traditionally stay out until all hours during summers (the festival’s evening-closing acts start their sets at around 3 a.m.). performers as well - one of whom is the Lambrini Girls, an all-female and non-binary rock trio who take their name from a potent low-budget wine popular among British teenagers who don’t know better yet. ![]() The three-day event’s lineup consists primarily of Faroese and Scandinavian acts, but there are a few U.K. Late on a July evening in the Faroe Islands - a small enclave of around 50,000 people located in the North Atlantic between England, Iceland and Norway - the G! Fest, one of Europe’s more unusual music festivals, is well underway.
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